There do not seem to be reasonable alternatives to the view that the worm-turned-snake is the male sexual organ moving toward a state of excitement and making a claim on the sexuality and life of the speaker.
Life is presented as being mistlike in that it obscures real values. The transformation seems unexpected, but the snake bears a sign the old string that he is the creature that she once tried to control.
Despite her implied denial, she realizes quite well the hurt she gives, but she adds to her original attack by scorning her victims for not exhibiting pain gracefully. The speaker wills away her keepsakes. The woman stopped what was going on in her own life and changed her own ways to live up to this mans expectations and for what?
Its soft and sometimes sarcastic tone makes it An analysis of 732 a poem by emily dickinson thought provoking and also rather gloomy. The "Soul" of the first line may at first appear to represent any person, but close examination shows that it is Dickinson herself, or the speaker of the poem, seen from a distance.
To remain hopelessly dedicated to a husband who knowingly no longer has the feelings for her that he once had. Her thoughts and feelings are kept only to herself. The missing sign refers to the physical and social reality of marriage. The subterfuge of life which we put behind at death may refer to the physical elusiveness of the beloved person, to the artificiality of social life, or to both.
She has moved from a low rank to the highest imaginable rank. In this last moment of doubt in the appearance of the divine, the speaker in the poem find an independent and personal acceptance of a death without profundity or salvation. She has gone through this marriage without the fearfully ecstatic loss of self that other women experience, but her loss is more terrible.
The immortality that may reveal another experience as inexpressible as these two emotions lies beyond death. The last line presents an absolute paradox.
Here, it is possible to assume the Dickinson was subscribing, at least n part, to the ideas of transcendentalism.
In lines three and four, she seems to be saying that her neighbors are like zoo creatures to her, and the last two lines imply that her view of them is fair because her neighbors are probably making a similar judgment of her.
The switch from "soft" to "brittle" in reference to the women, that has troubled some critics, is easily explained as a shift from social demeanor to frail values, but also both of these adjectives suggest values that will not endure.
In the last stanza, the switch to first person shows Dickinson quietly reveling in the strength of her renunciation. After time the husband loses the feelings for his wife and keeps this as a secret. There are three interesting and brief glances at social situations in the poems, "The Popular Heart is a Cannon first""The Show is not the Show"and "This quiet Dust was Gentlemen and Ladies" The poet seems to be mildly congratulating herself that unlike the vulgar and pretentious somebodys, she is shy and sensitive.
Paradoxically, the only life together possible for them will be when they are in the grave. The poem is very cleverly built. Evidently her celebrating that power as something good is a delusion. As with many marriages, things are so pleasant in the beginning but over time the road starts to get a little rocky.
She is accepting her end, and does not seem disappointed by it. The speaker as a mooring ship suggests a woman nestling against the body of a man and into his life. A large part of the poem deals with the fact that the woman has no one to share her thoughts with.
She imagines herself, at the same time, at sea with love and in a protective harbor, and no longer does she need to traverse the sea of separation and prohibition. She could not believe to see. The poem is a lesson on grief, and on death.
We prefer our interpretation largely because the phrase "Vision and. The second stanza also focuses on the submissive responses society expects from woman, as she has rose to his requirements.
The poem is a portrait of excessively genteel women whose claims to status are based entirely on the externals of behavior, dress, and manners. In "If you were coming in the Fall"Dickinson treats love-separation and hope for earthly or heavenly reunion in an even more straightforward manner.
She had looked down at marriage, child bearing and other institutional role assigned to women. Sea and port paradoxically seem to merge.
Now, without her religious, significant, grand exit from this world she cannot predict what happens next. The nighttime scene in which the speaker-as-gun takes more pleasure in protecting the owner than in sleeping with him the grammar makes it possible to conclude that she has not slept with him, or to conclude that she enjoys protecting him more than sharing his bed gives to the sexual element a strange ambiguity, because she seems equally joyous at resuming her daytime role of releasing destruction.
Many early critics took these poems too literally; they assumed them to be reports of scenes in which Emily Dickinson refused the love offers of a married man, while offering him assurances of her peculiar faith and her hope for reunion after death.
In "Wild Nights — Wild Nights! It is a part of her daily life, and she is able to take a detached, but not quite flippant, attitude towards it.Analysis of Emily Dickinson's She Rose to his Requirement () as a feminist poem The poem is considered as a feminist text in which various themes connected with women’s lives are exposed.
On the one hand, Emily Dickinson’s personal life, her rejection of various social institutions like marriage and criticism of authoritarian religious. Emily Dickinson was a well-known poet of the mids whose numerous works have stood the test of time.
But what in the world did her poems really. Like most of Emily Dickinson's work, this poem is short and sweet.
But over the decades she has proven that a poem does not need any words to have a poverful impact on the reader. Emily Dickinson has been known to be a recluse, to hide away in the confortable space of er room. This poem is 3/5(4). Analysis of Emily Dickinson's Poem # This study will examine the poem which begins "She rose to His Requirement - dropt," by Emily Dickinson (also known as poem #).
The study will analyze the formalist and the feminist views of the poem, comparing the two critical approaches, and then arguing that the feminist approach is more able to.
An Analysis of Emily Dickinson’s Poetry Emily Dickinson poetry can be seen as a study of deep fears and emotions, specifically In her exploration of death. In her famous poem # Dickinson explores the possibility of a life without the elaborate, finished ending that her religious upbringing promised her.
About the Poet: Emily Elizabeth Dickinson (December 10, – May 15, ) was an American poet. Dickinson was born inAmherst, Massachusetts. Dickinson was born inAmherst, Massachusetts.
Although part of a prominent family with strong ties to its community, Dickinson lived much of her life in reclusive isolation.Download